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Six Organ Sonatas Op.65

Mendelssohn-Bartholdy, F.

Whitehead, William

CD   1 disc(s)   14-07-2009
Classical

In stock
Levertijd : +/- 1 tot 2 werkdagen (voorraad: 1 item)

€ 20.00 € 22.95
Extra info: Whitehead, William
Drager: CD
Maatschappij: Play it again Sam
Label: Chandos
Barcode: 0095115153222
Artikelcode: F72158
Suffix - prefix: 10532 CHAN

William Whitehead (organ in the Ballroom, Buckingham Palace)

Felix Mendelssohn, whose centenary we celebrate this year, was the ultimate cosmopolitan composer, but formed a special relationship with Britain, which he visited ten times.

A number of his works were written in response to English commissions, including Elijah, and the Six Sonatas for Organ which have become established repertoire for organists and are some of Mendelssohn’s last compositions.

Mendelssohn was the first composer of international renown after J.S. Bach to return to the organ, and performed publicly on English organs during all his visits, audiences coming in droves to hear him. The sound of the English organ of his day had some distinctive qualities, which have been captured on this recording by William Whitehead, who uses the 1818 Lincoln Organ now situated in the Ballroom at Buckingham Palace.

It is not known whether Mendelssohn played this particular instrument but we know that he was a warmly welcomed guest of Queen Victoria and Prince Albert at the Palace on numerous occasions. Recently restored, the organ gives an English perspective on this ebullient music which crosses international boundaries of style.

It is the first time an authentic instrument of this period has been used to record Mendelssohn’s Six Organ Sonatas.

Mendelssohn: Organ Sonatas Nos. 1-6, Op. 65:
No. 1 in F minor, Op. 65 No. 1
No. 2 in C minor, Op. 65 No. 2
No. 3 in A major, Op. 65 No. 3
No. 4 in B flat major, Op. 65 No. 4
No. 5 in D major, Op. 65 No. 5
No. 6 in D minor, Op. 65 No. 6

"Whitehead need not apologise for the apparent perversity of trying to recreate the frustrating performing conditions Mendelssohn would have found on his British tours… his immaculately articulated playing and musical imagination draws sounds, and an interpretation, which we may confidently imagine to be as authentic as it comes.
BBC Music Magazine - September 2009 ****

"…noble playing of the highest order."
Gramophone Magazine - Awards Issue 2009