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Componist: Berlioz
SACD
1 disc(s) 18-10-2018
Vocaal / Koren
Verwachte levertijd (in NL): 1 - 3 werkdagen
Staat: | Nieuw |
---|---|
Extra info: | Bergen Philharmonic Orchestra & Choirs/Edward Gardner |
Maatschappij: | Play it again Sam |
Label: | Chandos |
Barcode: | 0095115521922 |
Suffix - prefix: | 5219 CHSA |
Taal: | FR |
Solist(en): | BROR MAGNUS TODENES |
Orkest: | BERGEN PHILHARMONIC ORCHESTRA & CHOIRS |
Bror Magnus Tødenes (tenor) & Choir of Collegiûm Mûsicûm, Bergen Philharmonic Choir, Edvard Grieg Kor, Royal Northern College of Music Choir, Eikanger-Bjørsvik Musikklag, Musicians from the Bergen Philharmonic Youth Orchestra & Bergen Philharmonic Orchestra, Edward Gardner
With this surround-sound recording of Berlioz’s Requiem, Edward Gardner and the Bergen Philharmonic Orchestra tackle the infinite and the immeasurable.All the grandiose, striking beauty of the Requiem’s large-scale ceremonial is encapsulated by first-class vocal and orchestral forces, fully utilising the spatial possibilities of Grieghallen in Bergen. The matching of space and sonority was one of Berlioz’s lasting obsessions, one experience in St Paul’s Cathedral in London throwing Berlioz into a delirium of emotion from which he took days to recover. His Grande Messe des morts, notorious for its requirement of four brass bands in addition to a large orchestra and chorus, taken here from live concerts, has often been seen as one of the most emotionally powerful works of its kind. Setting a solemn and austere, even ascetic text, the music is not that of an orthodox believer but of a visionary, inspired by the dramatic implications of death and judgement.
Berlioz:
Grande Messe des Morts, Op. 5 (Requiem)
"It is very much on the devotional side, and event contemplated and observed rather than experienced."
Gramophone Magazine - November 2018
"[Gardner] has the measure of this work – of its pacing, its contrasts and, not least, of its idiosyncrasies. Among my favourite moments here is the momentous hush before the final ‘mors stupebit’…Achieving homogeneity from four separate choirs for any performance can be a problem, but here they blend perfectly and not only does their massed sound balance well with the orchestra but, for the most part anyway, words are audible."
BBC Music Magazine - January 2019 ****