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MIROIRS -DIGI-

DREISIG, ELSA

WORKS BY GOUNOD/MASSENET/ROSSINI/MOZART/PUCCINI/STRAUSS

CD   1 disc(s)   04-10-2018
Classical

In stock Levertijd : +/- 1 - 2 werkdagen (op=op)

€ 19.95 € 20.95
Extra info: WORKS BY GOUNOD/MASSENET/ROSSINI/MOZART/PUCCINI/STRAUSS
Maatschappij: Warner Music
Label: ERATO
Barcode: 0190295634131
Artikelcode: W85929
Suffix - prefix: 9029563413
Orkest: ORCHESTRE NATIONAL MONTPELLIER OCCITANIE PYRENEES MEDIT

Elsa Dreisig (soprano) & Orchestre National Montpellier Occitanie Pyrénées Méditerranée, Michael Schønwandt

Miroirs is the debut album from the young French-Danish soprano Elsa Dresig. The winner of Plácido Domingo’s Operalia singing competition in 2016, she has performed opera in Berlin, Paris, Zurich and Aix-en-Provence and sung with Sir Simon Rattle and the Berlin Philharmonic in Berlin, Salzburg, Lucerne and Paris.

Miroirs showcases her vocal and dramatic range with different ‘reflections’ on a situation or character in arias and scenes from operas by Gounod, Massenet, Rossini, Mozart, Puccini, Richard Strauss and the rarely-heard Daniel Steibelt. The album includes two world premiere recordings.

Gounod:
 Dieu! Quel frisson court dans mes veines from Romeo and Juliette
 Faust: 'Les grands seigneurs ont seuls des airs... Ah! Je ris de me voir
 Je vais donc usurper les droits de la nature (from Roméo et Juliette)

Massenet:
 Ah! je suis seule, seule enfin! (Thaïs)
 Allons! Il le faut pour lui-même!... Adieu, notre petite table (from Manon)
 Dis-moi que je suis belle (from Thaïs)
 Il est doux, il est bon (from Hérodiade)

Mozart:
 Porgi amor (from Le nozze di Figaro)

Puccini:
 In quelle trine morbide (from Manon Lescaut)

Rossini:
 Una voce poco fa (from Il barbiere di Siviglia)

Steibelt:
 Je vais donc usurper les droits de la nature (from Roméo et Juliette)

Strauss, R:
 Ah! Du wolltest mich nicht deinen Mund küssen lassen (from Salome)

"This is [Dreisig’s] debut album and it is phenomenally good. First there is the concept of juxtaposing arias for the same dramatic character by different composers…Next, stylistic variety enables the marvellous flexibility of the Montpellier Occitanie orchestra to come to the fore…Finally, of course, there is Dreisig’s voice, youthful yet assured, agile yet fluid, and powerful through its entire range…we can certainly expect much more to come from this singer."
BBC Music Magazine - Christmas 2018 *****

"Now here’s a striking debut…[There Is] a pretty wide spectrum of characters on which to reflect…But Dreisig saves the real surprise for the end…the blood-drenched final scene from Strauss’s Salome. Or rather Salomé…The vocal range is extremely wide and it requires a true singing actress but Dreisig makes a most convincing case, with plenty of silvery steel as the debased teenager. [Schønwandt] is in his element."
Gramophone Magazine - December 2018