Stylus Phantasticus

Tekla Cunningham (baroque violin) & William Skeen,  Maxine Eilander, Henry Lebedinsky & Pacific Masterworks, Stephen Stubbs

"SAN FRANCISCO—Reference Recordings proudly presents this unique album with 11 works of early Baroque composers. The famous Jesuit Father Athanasius Kircher (1602–1680) wrote in Book VII of the Musurgia Universalis describing different musical styles, but, in particular, he defined a “fantastical style” for instruments: “The Stylus phantasticus is appropriate to instruments. It is the most free and unfettered method of composition, bound to nothing, neither to words, nor to a harmonious subject. It is organized with regard to manifest invention, the hidden reason of harmony, and an ingenious, skilled connection of harmonic phrases and fugues. And it is divided into those pieces which are commonly called Phantasias, Ricercatas, Toccatas, and Sonatas.” The compositions included on this recording provide prime examples of the lineage of the stylus phantasticus from its Italian roots, before Kircher wrote his definition, to its later development into an “imperial style” associated with Central Europe and the Habsburgs."

Albertini:
 Sonata I

Biber:
 Violin Sonata No. 1 in A major

Corbetta:
 Partite sopra folia

Farina, Carlo:
 Sonata Seconda detta la Desperata

Fontana, G B:
 Violin Sonata in D Major, F 1475.02

Macque:
 Prime Stravaganze

Mealli:
 Sonata per violino e basso detta 'La Castella'

Schmelzer:
 Ciaconna in A (from Serenada in Mascara)
 Sonatae unarum fidium

Uccellini:
 Sonate, correnti et arie, Op. 4